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Tesserae

by Ed & Petals

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1.
2.
Smalt Above 05:30
3.
4.
Varve 16:03
5.
6.
7.
Weathering 13:51

about

& happening, reed wind
hailer, hail-er, more hail
will quieten clastic until

weather in this music is tender, shifting, kaleidosonic as cloud-in-lightning & extended interludes of holding clay & water hardens into shale, splits again along parting surfaces

tesserae mosaicked into corners between sky & sky—are they made the shapes they are or are they shattered? brathwaite asks “how to study the fragments / whole

as if this album of comings & goings, saltations, shadow bells; P & E are not moving (between) instruments as if discrete things, by turns already moving (with) waves, trying surfaces,
stretch-clatter-catch-
echo-rest-fold
away

listened from wind gaps between wood when sideways shift (pins, needles, small objects)
listened with sway of floating space, ear-tilt unaligned ripple horizon
listened outward abalone’s inside dis-closing, iridescent loop interfering frequencies

in the middle a tune picks up & modulates cumulatively piano key thud drums shout sax cello strings re-coil keys trickle oscillatory

varve is a rhythmite, a small geological event:

springwaters vigour-brim bigger chunks
streambed lilt-bears a couplet, de-
posits light then dark or dark then
clay-fine sediments in glacial lake

is too still for clenching in y/our mouth: a varve-bubble’s jot
is not swallows reverberating whirl-wharved revolve

& dry ferrous also desires; P “carried the cello off the floor-grass & it sung, felt like there was river in its hollow
drop pitter tessellation precipitates
buried waters / cirrus fluting

up through vestibules, wood warps with drifts & confluent spheres
fret meanders in from sea plays stratus cymbals
moments where metal passes breath

& keeps arriving where “minerals are
when crystals too small
to be seen / this tiny quartz
is massive! verve
spatters,
& the interval around—

- by Katy Lewis Hood

credits

released May 18, 2022

Ed Shipsey: drums, melodica, percussion, voice, bells, small objects, piano - on track 6, electronics.

Petero Kalulé (petals): piano, kalimba, flutes, cello, tambourine, tenor sax, harmonica, violin, bells, voice, clarinet, spirit.

peterokalule.bandcamp.com

MRM62

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about

Minimal Resource Manipulation London, UK

MRM is not currently accepting demos.

MRM is a DIY label for experimental music curated by Matt Atkins, a London based sound and visual artist whose principle interests are reductionism, chance, repetition and texture. He uses objects, percussion instruments, occasionally a laptop and cassette recorders to create sound collages in both the recorded medium and live. ... more

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