Get all 65 Minimal Resource Manipulation releases available on Bandcamp and save 90%.
Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of Burnt Out, Hands of Drone, Watched Over by the Machines of Shaddup You Face, Duet, Making a Meal of Things, 3333, Maintaining, Language is Leaving Us, and 57 more.
Minimal Resource Manipulation London, UK
MRM is a DIY label for experimental music curated by Matt Atkins, a London based sound and visual artist whose principle interests are reductionism, chance, repetition and texture. He uses objects, percussion instruments, occasionally a laptop and cassette recorders to create sound collages in both the recorded medium and live, often in collaborative performances. ... more
If you like An Index of Textures, you may also like:
Multitemporal Designs
by VALERIO CAMPORINI F.
supported by 6 fans who also own “An Index of Textures”
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A Red Guide to the Coastal Quicksand of the British Isles
by Dave Clarkson
supported by 6 fans who also own “An Index of Textures”
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山水 / Sansui
by Norihito Suda + Stijn Hüwels
supported by 6 fans who also own “An Index of Textures”
Drones and natural sounds, It's a very peaceful record. It took a few listens for me to appreciate it all. I think it works best at a low volume when you are in a relaxed state of mind.
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StC Lives I: 51-61-74
by St Celfer™
Seattle’s St Celfer writes immersive electronic songs that encompass both haunting beauty & wild experimentalism.
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Anthology Of Experimental Music From China
by Various Artists
The latest comp from the always-great label Unexplained Sounds Group collects 16 songs from China’s experimental music and sound art scene.
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Minimal Surface
by Thee Reps
The long-running NYC group's full-length debut explores the various guises of minimalism in music, from Krautrock to post-rock.
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In Low Light (Music for the Winter Solstice)
by Mike Weis
supported by 6 fans who also own “An Index of Textures”
Been a big fan of Zelienople for some time now, yet it never quite registered how much of that adoration was due to the incredible percussive talents of Mike Weis. Now, I'm even more hooked on his solo work. In Low Light comes off as his most subtle and fleshed out effort yet. Either way, genius is found in all that Weis touches!
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